01 / Drop
Add the pictures
Drop, paste or choose one or many. A smaller copy shows on screen so the sliders answer at once.
Free tool
Lighten a dark photo, rescue a backlit one or whiten the paper in a scan. Press Auto to let the tool choose, or move five sliders yourself: exposure, brightness, shadows, highlights and contrast. Drag anywhere on the picture to compare it with the original. Do one picture or a whole folder with the same settings. It runs in your browser, so nothing is uploaded.
Brightness graph. Dark is on the left, light on the right. Grey is the original, purple is the result.
Brighten
Save as
Every picture gets the same numbers. Hold the B key to see the original. Double-click a slider's name to put it back to 0.
This runs in your browser. Your pictures are never uploaded.
How it works
01 / Drop
Drop, paste or choose one or many. A smaller copy shows on screen so the sliders answer at once.
02 / Brighten
Exposure, brightness, shadows, highlights and contrast. A graph shows where the light is, and drag anywhere to compare.
03 / Save
The full size file is made from the original with the same numbers. One picture, or all of them in a ZIP.
Guide
To brighten an image is to make its tones lighter without losing the dark parts altogether or turning the light parts to flat white. This tool does it with five sliders, exposure, brightness, shadows, highlights and contrast, and an Auto button that picks the numbers from the picture itself. The same page also works as a way to whiten an image: the Whiten paper start makes a grey, yellow-looking scan or document photo bright and clean. It works on one picture or many at once, saves JPG, PNG or WebP, and never uploads anything.
Exposure works the way a camera does. One stop (+1 EV) doubles the light that the picture holds, so it is the right slider for a photo that was simply taken too dark. The tool converts the picture to linear light, multiplies it and converts it back, which keeps colours natural. Brightness lifts the middle tones most and leaves pure black and pure white where they are, so it cannot burn out the lightest parts. Shadows lifts only the dark pixels, Highlights pulls down only the light ones, and Contrast bends the tones into an S so dark gets darker and light gets lighter. A negative contrast flattens them.
Here is what a few settings do to plain grey pixels, on a scale where 0 is black and 255 is white. These are the real values the tool uses.
| Setting | Dark 60 | Grey 100 | Middle 128 | Light 180 |
|---|---|---|---|---|
| Exposure +0.5 EV | 71 | 118 | 150 | 210 |
| Exposure +1 EV | 85 | 138 | 176 | 245 |
| Brightness +30 | 88 | 136 | 166 | 212 |
| Shadows +50 | 86 | 115 | 137 | 182 |
| Highlights -50 | 59 | 95 | 119 | 159 |
| Contrast +30 | 46 | 91 | 128 | 194 |
Read across the Shadows row: a dark 60 rises by 26, a grey 100 by 15 and a light 180 by only 2. That is the point of the slider. Exposure +1 EV is different: it sends the light 180 up to 245, and every grey from about 188 up turns pure white.
A photo that is dark all over needs light everywhere, so use Exposure first. About +0.7 EV and some Shadows is the Dark photo start. A backlit portrait has a bright window behind a dark face. Exposure would burn out the window, so use Shadows to bring up the face and a negative Highlights to hold the sky: that is the Backlit start. A washed out photo has plenty of light but no punch, and it needs Contrast more than brightness.
For a scan or a photo of a page, Whiten paper raises exposure, brightness and contrast together. The grey paper moves up towards white while the ink stays dark. Watch the note under the graph: when more than a few percent of the picture reads as pure white, detail is lost there, and you should back off a little.
Photos from an iPhone or a camera carry a note about which way up they were taken. The tool turns the pixels the right way and saves them upright, so nothing ends up sideways. If a JPG or PNG has its own colour profile, such as Display P3, the tool works in that profile's own numbers and saves the same profile back. It does not copy camera details like the date or the place, so the saved picture holds no location. A picture with see-through parts keeps them in PNG and WebP; a JPG has no see-through, so those parts turn white.
JPG is saved with MozJPEG at the Quality you set, 92 by default, and PNG is saved without any loss. The preview on screen uses a smaller copy, up to 1400 pixels on the long side. The file you download is made from your original at its full size.
To change more than light, use the full photo editor. To turn the colours around instead, try invert colors, and to make a big photo smaller afterwards, use the image compressor.
Questions
Drop the picture on the box, press Auto or move the Exposure slider, check the result by dragging across the picture, and press Download. There is no sign-up and no watermark.
No. The pictures are read, changed and saved in your browser tab, and nothing is sent to a server.
Exposure scales the light itself, like a longer camera exposure, and can push the lightest parts to white. Brightness lifts the middle tones and keeps pure black and pure white in place, so it is gentler on the lightest parts.
Yes. The Shadows slider lifts the dark pixels much more than the light ones, so a dark face or a dark corner comes up while a bright sky stays as it is.
Yes. Drop them together or press Add more pictures. Every picture gets the same numbers, and Download all as ZIP saves them in one file. Auto reads the picture on screen and its numbers are used for all.
Yes. The preview is a smaller copy so the sliders are quick, but the download is made from the original at its own width and height.
Photos are saved upright. A JPG or PNG with an RGB colour profile gets the same profile back. Camera details such as the date and the place are not copied.
Choose the Whiten paper start, then fine tune Exposure and Contrast. It is meant for scans and photos of pages, where the paper is grey and the ink is dark.
A dark photo holds little information, and lifting it also lifts the noise the camera made. Use less Exposure and more Shadows, and add a little Contrast.