01 / Formula
Root plus 3, 6
B to D is 3, B to F is 6 semitones. Together that spells B, D and F.
Free tool
The Bdim piano chord is B diminished: B, D and F played together. This page shows those keys lit on a keyboard with finger numbers for the right and left hand, all three positions with a play button on each, and a switch between sharps and flats. Play it as a chord or one note at a time.
Bdim
B diminished
Inversions
Finger 1 is the thumb and 5 is the little finger. Click a key on the big keyboard to hear that note. The sound starts quiet, and Volume and Note names are remembered.
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Why it is right
01 / Formula
B to D is 3, B to F is 6 semitones. Together that spells B, D and F.
02 / Keys
Bdim is chord vii° of C major, and it also belongs to one other key.
03 / Fingers
Thumb is 1 and little finger is 5. The root is played by the thumb in the right hand and by the little finger in the left.
Guide
The Bdim piano chord is B diminished: the notes B, D and F. It is two minor thirds stacked on top of each other. B up to D is three semitones, and D up to F is three more, so the fifth (F) is lowered to six semitones above the root. Chord charts write it as Bdim or B°.
| Note | Interval | Semitones above the root | Key | Right hand pitch |
|---|---|---|---|---|
| B | Root (R) | 0 | White | B3, 246.94 Hz |
| D | Minor third (b3) | 3 | White | D4, 293.66 Hz |
| F | Diminished fifth (b5) | 6 | White | F4, 349.23 Hz |
Counted from the root, the formula is 0, 3, 6. Stacked on each other the gaps are 3 + 3: two minor thirds. Compare it with B minor (B, D and F#): the first two notes are the same, and the fifth is lowered one semitone from F# to F. A perfect fifth is seven semitones; this one is six, and six semitones is a tritone.
Worked example: the pitch of B3. On a piano tuned to A4 = 440 Hz, a note 10 semitones below A4 has the frequency 440 × 2(-10/12), which is about 246.94 Hz. D4 is 7 semitones below A4, so 440 × 2(-7/12) gives about 293.66 Hz.
B has a black key on its left (Bb) and none on its right, because B and C are only a semitone apart. All three notes are white keys (B, D and F), so the hand can stay flat and there is no reaching for a black key. The thumb (B) and little finger (F) are both on white keys here, so the hand can lie in its natural shape.
| Position | Notes, lowest first | Written | Right hand | Left hand | Black keys |
|---|---|---|---|---|---|
| Root position | B D F | Bdim | 1 3 5 | 5 3 1 | 0 |
| First inversion | D F B | Bdim/D | 1 2 5 | 5 2 1 | 0 |
| Second inversion | F B D | Bdim/F | 1 3 5 | 5 3 1 | 0 |
Bdim has three positions. In root position B is at the bottom. In the first inversion, D is at the bottom and the chord is written Bdim/D. In the second inversion, F is at the bottom and the chord is written Bdim/F. The tightest reach, 6 semitones from the lowest key to the highest, is the root position. The widest, at 9, is the first inversion and second inversion.
Bdim fits two of the major and natural minor keys that have a standard key signature, which means every note of it comes from that key's scale. The simplest is C major, with no sharps or flats, where it is chord vii°.
| Key | Chord | Notes of the scale |
|---|---|---|
| C major | vii° | C D E F G A B |
| A minor | ii° | A B C D E F G |
Progressions that use Bdim, with the chord numbers and the chords in that key:
Here is a worked example in C major. The chord before Bdim in the first progression above is F (F, A and C). From F in root position, the closest way to reach Bdim is its second inversion (F, B and D, lowest note first): one note stays where it is, and the others move 4 semitones in total, counting each note against the note in the same place from the bottom.
Bdim also sits inside G7 (G, B, D and F): take the root off that dominant 7th and the notes left over are B, D and F.
A diminished triad sounds tense and unresolved. It rarely sits still: the usual move is up a semitone to the chord built on C. It is used as a passing chord between two others and as a spice inside a progression.
Bdim is the vii° chord in C major and the ii° chord in A minor. It is also chord vii° of C minor, using the raised seventh of the harmonic minor scale.
A common mistake is pressing F# instead of F, one semitone higher than the fifth of Bdim. That gives Bm (B, D and F#), a plain minor chord. The top key of Bdim is a semitone lower than you might expect, so check it against the chord of the same root.
Chords close to Bdim: B minor (raises the fifth; shares B and D); G7 (the dominant 7th it sits inside; contains all its notes); C major (the chord it leads to; shares no note); Bm7 (adds a minor seventh to the minor chord; shares B and D).
Once Bdim feels easy, play it and then C major to hear it resolve upward. For chords beyond these six types, and for guitar and ukulele shapes, use the chord finder. To play along with your computer keys, open the virtual piano. The piano chords page lists all 72 chords.
Questions
B diminished is B, D and F. B is the root, D is the minor third and F is the diminished fifth.
First find B. B is the white key just right of the group of three black keys, the last white key before C. Then press the keys together with your right hand: finger 1 on B, finger 3 on D, finger 5 on F. Add the left hand one octave lower if you like, with fingers 5 3 1 from the bottom up. On this page, press Play chord to hear it and Arpeggio to hear the notes one at a time.
In root position the right hand uses 1 3 5 (thumb is 1, little finger is 5), and the left hand uses 5 3 1 from the bottom up. The first inversion changes the right hand to 1 2 5 and the left hand to 5 2 1. Every note is a white key.
Take the root and add 3 and 6 semitones: Bdim is B, D and F. In intervals that is a minor third and a diminished fifth above the root. The same formula from C gives C, Eb and Gb.
Root position is B, D and F. The first inversion starts on D (D, F and B) and is written Bdim/D. The second inversion starts on F (F, B and D) and is written Bdim/F.
Bdim belongs to more than one key: it is the vii° chord in C major and the ii° chord in A minor. With the harmonic minor scale it is also chord vii° of C minor.
One note. Bdim has F where B minor has F#, which is one semitone higher. Bdim is B, D and F; B minor is B, D and F#.
Yes, it is one of the easier shapes: all three notes are white keys. The right hand plays it with fingers 1 3 5, a shape you can learn for every other diminished chord.
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