01 / Formula
Root plus 3, 7
B to D is 3, B to F# is 7 semitones. Together that spells B, D and F#.
Free tool
The Bm piano chord is B minor: B, D and F# played together. This page shows those keys lit on a keyboard with finger numbers for the right and left hand, all three positions with a play button on each, and a switch between sharps and flats. Play it as a chord or one note at a time.
Bm
B minor
Inversions
Finger 1 is the thumb and 5 is the little finger. Click a key on the big keyboard to hear that note. The sound starts quiet, and Volume and Note names are remembered.
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Why it is right
01 / Formula
B to D is 3, B to F# is 7 semitones. Together that spells B, D and F#.
02 / Keys
Bm is chord iii of G major, and it also belongs to five other keys.
03 / Fingers
Thumb is 1 and little finger is 5. The root is played by the thumb in the right hand and by the little finger in the left.
Guide
The Bm piano chord is B minor: the notes B, D and F# played together. It is a root (B), a minor third (D, three semitones above the root) and a perfect fifth (F#, seven semitones above). Chord charts write it as Bm or Bmin.
| Note | Interval | Semitones above the root | Key | Right hand pitch |
|---|---|---|---|---|
| B | Root (R) | 0 | White | B3, 246.94 Hz |
| D | Minor third (b3) | 3 | White | D4, 293.66 Hz |
| F# | Perfect fifth (5) | 7 | Black | F#4, 369.99 Hz |
Counted from the root, the formula is 0, 3, 7. Stacked on each other the gaps are 3 + 4: a minor third (B to D) with a major third (D to F#) on top. A minor triad is a major triad with the third moved down one semitone. B major and B minor share B and F#, and only the middle note differs: D# against D.
Worked example: the pitch of B3. On a piano tuned to A4 = 440 Hz, a note 10 semitones below A4 has the frequency 440 × 2(-10/12), which is about 246.94 Hz. D4 is 7 semitones below A4, so 440 × 2(-7/12) gives about 293.66 Hz.
B has a black key on its left (Bb) and none on its right, because B and C are only a semitone apart. One of the three notes is a black key (F#) and two are white keys (B and D). Your little finger plays F#, a black key with F and G beside it. The little finger is short, so let the hand lean a little toward its edge and aim for the middle of the key.
| Position | Notes, lowest first | Written | Right hand | Left hand | Black keys |
|---|---|---|---|---|---|
| Root position | B D F# | Bm | 1 3 5 | 5 3 1 | 1 |
| First inversion | D F# B | Bm/D | 1 2 5 | 5 2 1 | 1 |
| Second inversion | F# B D | Bm/F# | 1 3 5 | 5 3 1 | 1 |
Bm has three positions. In root position B is at the bottom. In the first inversion, D is at the bottom and the chord is written Bm/D. In the second inversion, F# is at the bottom and the chord is written Bm/F#. The tightest reach, 7 semitones from the lowest key to the highest, is the root position. The widest, at 9, is the first inversion.
Bm fits six of the major and natural minor keys that have a standard key signature, which means every note of it comes from that key's scale. The simplest is G major, with 1 sharp, where it is chord iii.
| Key | Chord | Notes of the scale |
|---|---|---|
| G major | iii | G A B C D E F# |
| E minor | v | E F# G A B C D |
| D major | vi | D E F# G A B C# |
| B minor | i | B C# D E F# G A |
| A major | ii | A B C# D E F# G# |
| F# minor | iv | F# G# A B C# D E |
Progressions that use Bm, with the chord numbers and the chords in that key:
Here is a worked example in G major. The chord before Bm in the first progression above is G (G, B and D). From G in root position, the closest way to reach Bm is its second inversion (F#, B and D, lowest note first): two notes stay where they are, and the others move 1 semitone in total, counting each note against the note in the same place from the bottom.
Minor chords sound darker and more serious than major ones, and they carry the mood of many songs. They are not only for sad music, though: in a major key the ii, iii and vi chords are all minor, so a bright song uses them too.
Bm is the iii chord in G major, the v chord in E minor and the vi chord in D major.
A common mistake is pressing D# instead of D, one semitone higher than the third of Bm. That turns the chord into B major (B, D# and F#). If your Bm sounds too bright, check the middle finger first.
People type this chord many ways: Bm, bm, B minor, Bmin. They all mean the same chord: B, D and F#. The one to watch is Bbm with a small b, which is B-flat minor (Bb, Db, F); a different chord that sits one semitone lower.
On a piano Bm is one of the friendlier minor chords. It is two white keys and one black key (B and D are white, F# is black), and the hand does not need a stretch because the notes are only a third and a fifth apart. Players who know the chord from guitar will notice there is no barre on a piano: you press three keys, and that is all.
Bm is a good chord to practise next to its neighbours in the key of D major. D major (D, F#, A) shares the notes D and F# with Bm, and G major (G, B, D) shares B and D. Moving between them while keeping the shared notes still is a quick way to train smooth chord changes.
Chords close to Bm: B major (same root, with a major third; shares B and F#); Bm7 (adds a minor seventh; contains all its notes); Bdim (lowers the fifth; shares B and D); D major (its relative major; shares D and F#).
Once Bm feels easy, play it and then B major to hear what one note changes. For chords beyond these six types, and for guitar and ukulele shapes, use the chord finder. To play along with your computer keys, open the virtual piano. The piano chords page lists all 72 chords.
Questions
B minor is B, D and F#. B is the root, D is the minor third and F# is the perfect fifth.
First find B. B is the white key just right of the group of three black keys, the last white key before C. Then press the keys together with your right hand: finger 1 on B, finger 3 on D, finger 5 on F#. Add the left hand one octave lower if you like, with fingers 5 3 1 from the bottom up. On this page, press Play chord to hear it and Arpeggio to hear the notes one at a time.
In root position the right hand uses 1 3 5 (thumb is 1, little finger is 5), and the left hand uses 5 3 1 from the bottom up. The first inversion changes the right hand to 1 2 5 and the left hand to 5 2 1. Finger 5 is on a black key (F#), so take care to stay in the middle of that key.
Take the root and add 3 and 7 semitones: Bm is B, D and F#. In intervals that is a minor third and a perfect fifth above the root. The same formula from C gives C, Eb and G.
Root position is B, D and F#. The first inversion starts on D (D, F# and B) and is written Bm/D. The second inversion starts on F# (F#, B and D) and is written Bm/F#.
Bm belongs to more than one key: it is the iii chord in G major, the v chord in E minor, the vi chord in D major and the i chord in B minor.
One note. B minor has D where B major has D#, which is one semitone higher. B minor is B, D and F#; B major is B, D# and F#.
It uses 1 black key (F#) and 2 white keys. The right hand plays it with fingers 1 3 5, a shape you can learn for every other minor chord.
More chords