01 / Steps
W W H W W W H
From D each step is a whole step except F# to G and C# to D, which are half steps.
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The D major scale is D, E, F#, G, A, B, C# and then D again one octave higher. This page shows the keys lit on a keyboard with finger numbers for the right and left hand, the key signature, the chord built on each note, and a play button. Play it up, down, or up and down at three speeds.
D major scale
D E F# G A B C# D
Steps
Key signature
Chords built on each note
Finger 1 is the thumb and 5 is the little finger. Click a key on the keyboard to hear that note. The sound starts quiet, and your hand, speed, volume and note names are remembered.
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Why it is right
01 / Steps
From D each step is a whole step except F# to G and C# to D, which are half steps.
02 / Signature
The marks are F# and C#, in the order they are always written.
03 / Fingers
The left hand goes 5 4 3 2 1 3 2 1. The thumbs land on D and G in the right hand.
Guide
The D major scale is D, E, F#, G, A, B and C#, then D again at the top. It has 2 sharps in its key signature (F#, C#), and two of its seven notes are black keys. Its relative minor is B minor. In steps it goes whole, whole, half, whole, whole, whole, half, the same pattern as every major scale.
| Degree | Note | Name | Semitones above D | Key | Right finger | Left finger |
|---|---|---|---|---|---|---|
| 1 | D | Tonic | 0 | White | 1 | 5 |
| 2 | E | Supertonic | 2 | White | 2 | 4 |
| 3 | F# | Mediant | 4 | Black | 3 | 3 |
| 4 | G | Subdominant | 5 | White | 1 | 2 |
| 5 | A | Dominant | 7 | White | 2 | 1 |
| 6 | B | Submediant | 9 | White | 3 | 3 |
| 7 | C# | Leading note | 11 | Black | 4 | 2 |
Worked example: the right hand starts on D4 on this page. That key is 7 semitones below A4, so on a piano tuned to A4 = 440 Hz its frequency is 440 × 2(-7/12), which is about 293.66 Hz. The top D, one octave higher, doubles that to about 587.33 Hz. Counting the steps in between, 2 + 2 + 1 + 2 + 2 + 2 + 1 = 12 semitones. The fifth note, A, is 7 of them above the root.
D major has 2 sharps: F# and C#. Sharps are always added in the same order, F C G D A E B, so a signature with two sharps uses the first two of them. Written once at the start of the staff, they apply to every F and C in the piece, in every octave.
To see why, go up from D by whole, whole, half, whole, whole, whole, half. The notes that land on black keys are number 3 and 7 of the seven, and they are written F# and C#. Each letter name is used once in a scale, so the marks go on F and C, and the signature lists exactly those letters.
D major has two sharps, F# and C#, which are the third and seventh notes. The third note is the one that makes the scale major, and here it is a black key. The root D is the white key between the two black keys of the group of two, and the C# just below it is the scale's own leading note. So the scale starts one key above its seventh note, and the hand never has to go far from the middle of the group of two.
The usual teaching fingering for D major in the right hand is 1 2 3 1 2 3 4 1 for the first octave, and for two octaves 1 2 3 1 2 3 4 1 2 3 1 2 3 4 5. In the left hand it is 5 4 3 2 1 3 2 1 for the first octave, and for two octaves 5 4 3 2 1 3 2 1 4 3 2 1 3 2 1. The right thumb lands on D and G and the left thumb on A and D; all of those are white keys. Coming down, use the same fingers in reverse order. Other fingerings exist, and a teacher may change them to suit your hand, so treat this as the standard starting point.
Stack every other note of the scale and you get a three-note chord on each degree. In every major key the pattern is the same: major on I, IV and V, minor on ii, iii and vi, and diminished on vii. In D major that gives D, Em, F#m, G, A, Bm and C#dim. The three major chords, D, G and A, are the ones that fit most simply together, for example in the order D, G, A, D.
| Degree | Chord | Notes | Type |
|---|---|---|---|
| I | D | D F# A | major |
| ii | Em | E G B | minor |
| iii | F#m | F# A C# | minor |
| IV | G | G B D | major |
| V | A | A C# E | major |
| vi | Bm | B D F# | minor |
| vii° | C#dim | C# E G | minor |
Play the right hand slowly and listen for the two black keys. F# is played by finger 3 and C# by finger 4. Practise the last turn on its own: C# with finger 4, then the thumb on the top D. Once that is smooth, play both octaves and add the left hand.
Playing C instead of C# in the second half. The scale then ends a whole step below the top D and sounds as if it has not landed.
The relative minor of D major is B minor. It uses the same notes and the same key signature, starting on B. The parallel minor, D minor, starts on the same note but has 1 flat in its key signature.
The key a fifth higher is A major and the key a fifth lower is G major. D major shares all but one note with each of them. Keys next to each other on the circle of fifths have signatures that differ by one mark. On this site the neighbours here are G major and A major.
When the scale is steady, play it with the metronome and compare it with the virtual piano. For other scale types, such as minor, modes and pentatonic, use the scale finder.
Questions
D, E, F#, G, A, B and C#. The scale then ends on D again, one octave above the start.
2 sharps: F# and C#. They are the first two in the order F C G D A E B.
B minor. It has the same key signature and starts on the sixth note of D major, B.
Right hand: 1 2 3 1 2 3 4 1. Left hand: 5 4 3 2 1 3 2 1. Finger 1 is the thumb and 5 is the little finger. The thumb lands on D and G in the right hand.
D, Em, F#m, G, A, Bm and C#dim. The major chords are D, G and A, the minor chords are Em, F#m and Bm, and C#dim is diminished.
F# and C#. That is two of the seven notes, and the other five are white keys.
D minor. It starts on the same note as D major but has 1 flat, so it sounds darker. The relative minor, B minor, has the same signature as D major.
More scales